Evacuation alerts face scrutiny as California wine country wildfires rage

(Above: A firefighter works in Northern California. Photo courtesy CAL FIRE). 

It was only a matter of time.

As follows almost every major natural disaster in recent years, emergency officials are under fire for what some say was lackluster performance when it came to warning people about the oncoming siege of fire marching toward their homes early Monday.

Why weren’t more cell phone alerts issued?

Why wasn’t there more advance notice?

What worked, and what didn’t?

With at least 31 lives lost as a result of the fast-moving fires across Northern California’s wine country, they’re fair questions — questions that will no doubt come to dominate the conversation in coming weeks and months.

But while there are always things to learn from, it is worth remembering this was not a disaster that had a days-long build-up, like a hurricane. For many near the point of origin, there wasn’t even an hours-long build up, like severe weather such as tornadoes. Rather, many families went to bed Sunday before any fires had ignited, only to be awoken in the middle of the night to commands from a loudspeaker outside, a neighbor pounding on the door, or — maybe — a telephone call.

As it relates to messaging, here’s a rundown of what we know:

  • Officials did not issue Amber-Alert-style cell phone messages in Napa and Sonoma counties. These alerts, administered through the Wireless Emergency Alert System, light up cell phones and trigger an un-mistakable screeching sound when a child is missing and in danger in the recipient’s area. Though they are almost guaranteed to wake people from a dead sleep, they are not necessarily intended for neighborhood-level evacuations.

According to the FCC, the alerts are broadcast from cell towers whose coverage area best matches the zone of an emergency to “phones that are using the cell towers in the alert zone.” Depending on the region and how connected residents are to cell phone networks, that could result in a widespread, wide-radius of messaging.

And that could have resulted in a widespread shadow evacuation in which everyone — not just those in immediate evacuation zones — hits the roads in the middle of the night in a panic, potentially leading to any number of other emergencies, officials maintain. 

“It would cause unnecessary evacuations and delays for emergency vehicles reaching people in areas in need,” said county spokeswoman Jennifer Larocque, according to The Mercury News. “In order not to slow down response to people actually in need of help, we chose not to send the notice.”

Though beneficial, residents have to register for the service, a quick process but a process nonetheless. And there remains the challenge of reaching people in the middle of the night, as was the case this week.

It seems pertinent here to mention media, both social and traditional. Though news reporters were quick to begin reporting on the fires, and many were on the fire line overnight, residents were likely slow to tune in, at least initially. And social media, the means through which many community-level communications are handled by way of Facebook or NextDoor, was a vacuum at first. If you posted something, it might not have been seen until the morning.

  • So that leaves word-of-mouth. There are scores of harrowing stories of neighbors warning neighbors, showing up on doorsteps, blaring horns and doing everything they could to simply get people to wake up and look outside. This was how many people learned of the urgency. This, many have said, was the best way to get the word out.

“The smoke and ash and embers were raining down, sparking spot fires,” Paul Lowenthal, assistant fire marshal in Santa Rosa, recalled in an interview Wednesday with The Washington Post. “It didn’t take but moments for people to look out their front doors and see what was happening.”

It’s less than ideal. But in some cases, it’s all there can be.

As an aside, my graduate research was about evacuation communications during the 2013 Colorado Flood, which devastated a swath of the state and carved communities into islands. The gist: social ties matter within a community during disaster events. And while technology can certainly help, it cannot be the only answer, nor can it be the answer without considering the role of local first responders. People go through a two-step process during evacuations: hearing an alert and seeking additional information. It is inherently a social experience. Accordingly, communication infrastructure is vital as people both receive initial information and seek additional details, through whatever means necessary discussed earlier in this piece.

All of that to say cell phone towers becoming compromised during a disaster — as was the case during this week’s wildfire outbreak — will no doubt be a topic officials hone in on, with good reason.

In March, I wrote a piece for Wildfire Today about issues continuing to play out surrounding evacuations in Gatlinburg, a starkly different situation, but relevant still. Essentially, city officials there, it was determined, downplayed the threat early in the incident. Then, when hurricane-force winds tore through the region and fanned the flames, a “communication failure” caused by disabled communication services prevented the immediate issuance of a timely alert. Alternative sources of emergency communication — local media, for example — had only a marginal effect.

It’s only been five days since fires in Northern California erupted. The questions, after-actions reviews and analyses will be long coming.

Communicating breaking news or public safety-related evacuation messages to off-line, at-risk populations during a dynamic disaster event is a seemingly impossible conundrum. It is one that researchers have spent decades studying in various forms, whether under the umbrella of the sociology of disaster or the various hazard communication models within emergency management.

Going forward, with a continuous onslaught of disasters now reality, it’s an area that should not be ignored.

Wildfire smoke maps, October 12, 2017

(Originally published at 7:04 p.m. PDT October 12, 2017)

The map above shows smoke from wildfires in northern California at 5:35 p.m. PDT October 12, 2017.

Below is a forecast for wildfire smoke at 6 p.m. PDT October 13, 2017.

map wildfire smoke forecast
A forecast for wildfire smoke at 6 p.m. PDT October 13, 2017.

 

Satellite photos of California wildfires

(Originally published at 6:43 p.m. PDT October 12, 2017)

These satellite photos show the growth of the wildfires in northern California. The photo above is from October 12, 2017. The red dots represent heat.

The next four photos are October 8 through October 11.

Satellite photo California wildfires

Satellite photo California wildfires

Satellite photo California wildfires

Satellite photo California wildfires

Below is a map showing heat detected on the fires over the last week.

map California wildfires
Map showing heat detected on wildfires in California over the last week. Created at 5:30 p.m. PDT October 12, 2017.

California wildfires update: More wind, more evacuations, more destruction

(Originally published at 7:14 a.m. PDT October 12, 2017)

After a day of relative calm and progress, high winds — some gusting to 50 mph overnight — prompted red flag warnings in Northern California and will hinder firefighters trying to gain an edge in what will likely go down as the most deadly and destructive wildfire event in state history.

The latest figures on this week’s wildfire outbreak, per CAL FIRE as of late Wednesday:

  • 22 wildfires have burned more than 170,000 acres
  • 3,500 homes and structures have been destroyed
  • 21 people have died, and that figure is expected to rise
  • More than 8,000 firefighters are working fires across the state, primarily those in Northern California’s wine country. This includes crews on 550 engines, 73 helicopters and 30 air tankers.

This New York Times analysis, from the air and ground adds to grim picture emerging from wine country, where the number of structures destroyed stands to climb.

While progress has been made on containment for many of the smaller fires, several major fires continue to expand, forcing even more evacuations Wednesday night and into Thursday, including the 5,000 people who live in Calistoga.

“Forecasted conditions have worsened. In the interest of life safety, it has become necessary to expand and implement the CAL FIRE Mandatory evacuation for the entire city of Calistoga,” city officials said. 

Among the largest incidents, as of Wednesday night’s update:

  • Atlas Fire: 43,000 acres and 3 percent contained
  • Tubbs Fire: 27,000 acres and 10 percent contained (at least 11 people were killed in this incident, making it the single deadliest blaze in this outbreak, according to CAL FIRE.
  • Redwood/Potter Fires (Mendocino Lake Complex): 30,000 acres and 5 percent contained

Here’s a list of the 20 most damaging fires in California history. Atop the list is the Tunnel Fire a 1,600-acre blaze that rekindled in October 1991 and tore through Oakland Hills, killing 25 people and destroying 2,900 structures. We wrote about the two of the top five, the Cedar and Witch fires, in a post earlier this week. Four of the top five started in October, when fuel loads are driest and Santa Ana wind events are inevitable.

On Thursday night, perimeters expanded on some fires with the return of high winds. The National Weather Service re-issued red flag warnings through Thursday for much of Northern California.

The bulletin today:

“Although the wind will not be as strong as Sunday and
Sunday night, the dry northerly winds could rapidly spread
current and new wildfire activity…”
Easing winds and a shift in a direction should reduce some fire dangers by the afternoon.
But it stands to be a busy weekend.
“A stronger wind event will impact the area late Friday night into Sunday. The strongest winds winds look to occur late Friday night and Saturday. Winds for the valley will taper off Saturday night but increase once again for many mountain and foothill areas before tapering off on Sunday. Most critical areas of concern where the strongest winds are expected will be across exposed ridges and through wind-aligned drainages.”

 

Red Carpet for “Only the Brave” in Phoenix

(Originally published at 10:56 p.m. PDT October 11, 2017)

A red carpet premiere of “Only the Brave” occurred October 10 in Phoenix. Actors in the film that appeared included Josh Brolin, James Badge Dale, and Miles Teller. Director Joseph Kosinski also appeared, along with producers Lorenzo Di Bonaventura, Thad Luckinbill, Molly Smith, and Trent Luckinbill.

Many family members associated with the fatalities of the 19 firefighters and others affiliated with the film also were present.

After the red carpet event, the participants viewed the film.

Wildfire Today’s review of “Only the Brave”.

Review of “Only the Brave”

Above: image from “Only the Brave” trailer.

(Originally published at 8:34 p.m. PDT October 11, 2017)

“Only the Brave” is one of the few movies that have featured wildland firefighters as the main story line. “Red Skies of Montana”, filmed near Missoula in 1952, is a classic, and the 1998 “Firestorm” featuring Howie Long is funny, and not in a good way.

“Only the Brave”, which opens nationwide October 20, is based on the Granite Mountain Hotshots that fought not only wildfires for several years, but battled with the establishment to finally be certified as the first Type 1 Interagency Hotshot Crew managed by a municipal fire department — the Prescott, Arizona Fire Department. Before that, all 100+ Hotshot crews had been organized by state or federal agencies.

Only the Brave
Joah Brolin at the microphone. to his left are James Badge Dale and Director Joseph Kosinski.

The crew’s final battle began and ended on June 30, 2013 when 19 of the 20 crew members were overrun and killed by the Yarnell Hill Fire 27 air miles southwest of Prescott. The movie, of course, covers this tragedy, but most of it is about the firefighters, their families, relationships, and building a crew.

More photos from the Red Carpet screening for “Only the Brave” in Phoenix October 10, 2017.

The lone survivor of the 20-person crew was Brendan McDonough, played by Miles Teller. Since the tragedy Brendan has talked openly about his struggles with drugs and wrote about it in his book “My Lost Brothers”. The script did not shy away from this fact and the role the brotherhood of the crew played in his rehabilitation as he also became a father. Miles Teller was excellent in the role.

The Superintendent of the crew, Eric Marsh, was played by Josh Brolin in a phenomenal performance, showing the right amount of firefighter machismo, flaws, and maturity. The actual person, Eric Marsh, had some personal history that was similar in some ways to Brendan.

The film does a pretty good job of capturing some of the atmosphere of Hotshot crews, which have been described as tactical athletes, “elite” firefighters, or the Green Berets and Seal Teams of the wildland firefighting world.

Other movies that have had scenes showing wildland fires have had great difficulty creating realistic video imagery of active fires. Apparently it is very hard to use computer magic to simulate flames and smoke that honor the laws of physics. And you can’t just take actual footage of past fires and plop it down in a movie, especially when you need to show actors in close proximity. Their result, put together by Director Joseph Kosinski, while not perfect, is far better than any past attempts I have seen.

Authenticity was very important to Mr. Kosinski. Many films have consultants, but the degree to which their input is adopted varies greatly. Former Granite Mountain Hotshots Brendan McDonough and Pat McCarty were on the set frequently. Mr. Kosinski said he could not have made the film without Mr. McCarty. The fireline gear carried and used by the actors was representative of the actual equipment used by wildland firefighters.

Some of the procedures were also very authentic. In one scene showing the Granite Mountain crew training before they were Hotshot Qualified, the crewmembers were seen running to a site where Eric Marsh told them to DEPLOY their fire shelters, their last resort. The firefighters had already shed their 30-pound packs so they could run faster and were carrying their fire shelters in their hand, ready to deploy…. just like actual firefighters are trained to do when they have to retreat unexpectedly from an approaching fire.

The fire behavior in the film was mostly shown as aggressive with a rapid rate of spread. Occasionally some action on the screen would result in a small unnecessary explosion — a sudden burst of flames — such as when a burning tree slides off a cliff and hits the ground, or when “Brendan” throws away a malfunctioning drip torch that then explodes — it had been shooting out eight-foot flames due to a “bad mix” of diesel and gasoline — which can happen, but rarely to that extent.

James Badge Dale
James Badge Dale played Jesse Steed.

Taylor Kitsch as Christopher MacKenzie and James Badge Dale as second in command Jesse Steed were both believable as Hotshot firefighters.

Jeff Bridges played Duane Steinbrink, the person in the Prescott Fire Department in charge of the wildland fire program and Eric Marsh’s supervisor. It was not a huge role, but he very convincingly pulled off some key scenes with Josh Brolin. Mr. Steinbrinks’s wife was played by Andie MacDowell.

Jennifer Connelly was cast as Eric Marsh’s wife, Amanda Marsh. Several of her scenes were very important, intense, and emotional. She pulled it off extremely well.

One of the issues dealt with in the film was mixing the life of a wildland firefighter with the demands of a family. A hotshot in an average year can be away from home about 90 percent of the time during the three to six month fire season, making it difficult to maintain a healthy family life. When a Hotshot returns home after a 14 to 16-day fire assignment they may be too tired during their two days off to interact in a meaningful way with their family before they leave again for another two-week assignment.

One of the issues about the entrapment and death of the 19 firefighters was why they left the safety of a black, burned over area, and hiked toward a ranch which had been identified as a safety zone. The official reports about the accident have said that no one on the fire at the time knew the crew was moving in that direction before they were trapped by the rapidly moving fire. The Eric Marsh character is shown a couple of times saying on his radio to Jesse Steed and the Operations Section Chief that they were moving to the safety zone so they could “re-engage” the fire. If they had stayed in their original black, burned-over area, they would have been safe. Unproductive, but safe — and alive. Re-engaging the fire, possibly helping to protect homes as the fire burned into the community of Yarnell, which was in the direction they were moving, may have been the goal of the actual crew.

However, it would be a mistake to look at this movie as a documentary that answers questions about what really happened that day in 2013.

Country music star Dierks Bently co-wrote the song heard during the closing credits, “Hold the Light”.

The CEO of a wildland firefighting private company told us after seeing the Red Carpet Screening in Phoenix that he will require all of his employees to see the film by October 30.

“Only the Brave” is a powerful film that can be appreciated by the general public as well as firefighters. Josh Brolin’s performance may be brought up during awards season, while Jennifer Connelly and James Badge Dale can’t be overlooked either.


(UPDATE at 8:12 p.m. MDT October 12, 2017)

Some other early reviews are in for “Only the Brave”.  Here are links to the first four that showed up with a Google search this evening:

One of the most interesting passages in the reviews was from the Hollywood Reporter:

Because of its cast of young men being buff and hormonal and good at their jobs, one could say that Only the Brave is the Top Gun of firefighter movies, the difference being that the new pic feels like it’s embedded in reality rather than in an aerial wet dream.